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	<title>CAPITAL WASTE PICTURES</title>
	<link>https://capitalwastepictures.com</link>
	<description>CAPITAL WASTE PICTURES</description>
	<pubDate>Thu, 02 Oct 2025 02:16:25 +0000</pubDate>
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		<title>HIRE</title>
				
		<link>http://capitalwastepictures.com/HIRE</link>

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		<pubDate>Thu, 02 Oct 2025 02:16:25 +0000</pubDate>

		<dc:creator>CAPITAL WASTE PICTURES</dc:creator>
		
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		<description>CRT TV, PROJECTOR &#38;amp; E-WASTE HIRE
COMING SOON</description>
		
		<excerpt>CRT TV, PROJECTOR &#38;amp; E-WASTE HIRE COMING SOON</excerpt>

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		<title>SHOP</title>
				
		<link>http://capitalwastepictures.com/SHOP</link>

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		<pubDate>Sat, 11 Jan 2025 22:56:20 +0000</pubDate>

		<dc:creator>CAPITAL WASTE PICTURES</dc:creator>
		
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		<description>BAWKBUSTER VIDEO
2025 Chicken Calendar
by CAPITAL WASTE X QUARTZ PISTOL
&#60;img width="2000" height="2000" width_o="2000" height_o="2000" src_o="https://cortex.persona.co/t/original/i/af0a92a13e5dfcc2a25f34b2f001ed1a75f43788a5ab2c6a6c10b7fa9e5197bd/BAWKBUSTER-CHOOKS25-squarecoverTHUMB.jpg" data-mid="1391593" border="0" /&#62;
available for $25 AUD + postage

BUY NOW</description>
		
		<excerpt>BAWKBUSTER VIDEO 2025 Chicken Calendar by CAPITAL WASTE X QUARTZ PISTOL  available for $25 AUD + postage  BUY NOW</excerpt>

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		<title>HOME</title>
				
		<link>http://capitalwastepictures.com/HOME</link>

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		<pubDate>Wed, 24 May 2023 03:39:28 +0000</pubDate>

		<dc:creator>CAPITAL WASTE PICTURES</dc:creator>
		
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	&#60;img width="512" height="512" width_o="512" height_o="512" src_o="https://cortex.persona.co/t/original/i/e5720a540db7546d85acfeacd562cb73cf5fc76e8adf6d45fe641dd82dc7f32e/CAPITALWASTE.gif" data-mid="1419446" border="0" data-scale="19"/&#62;
	
ABOUT
	WORK
	HIRE









CAPITAL WASTE PICTURES
+61 0432 098 102
liam@capitalwastepictures.com


	CALL
	EMAIL




	INSTA
	

UTUBE


	

GIPHY


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		<excerpt>ABOUT 	WORK 	HIRE          CAPITAL WASTE PICTURES +61 0432 098 102 liam@capitalwastepictures.com   	CALL 	EMAIL     	INSTA 	  UTUBE   	  GIPHY   	SHOP</excerpt>

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		<title>WORK</title>
				
		<link>http://capitalwastepictures.com/WORK</link>

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		<pubDate>Wed, 24 May 2023 01:39:57 +0000</pubDate>

		<dc:creator>CAPITAL WASTE PICTURES</dc:creator>
		
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		<description>
ECSTATIC UTOPIAN FANSTASY (2025)
	
Power, apathy, protest and resistance are shrouded in new light in 𝗘𝗰𝘀𝘁𝗮𝘁𝗶𝗰 𝗨𝘁𝗼𝗽𝗶𝗮𝗻 𝗙𝗮𝗻𝘁𝗮𝘀𝘆 as 𝗛𝗼𝘂𝘀𝗲 𝗼𝗳 𝗩𝗻𝗵𝗼𝗹𝘆 explored fraught utopian fantasies in an 8-hour endurance performance-installation at Soft Centre Sat 30 Aug 2025
 
Performed in collaboration with:
CAPITAL WASTE
@messianicgloss
Marcus McKenzie, Eugene Choi, Makeda, Miles Dunne, Isobel Stolinski with guest appearences fromKarina Automo, Quartz Pistol, Eek, Ari Angkasa, Joli Boardman and Marcus Whale.

𝗘𝗰𝘀𝘁𝗮𝘁𝗶𝗰 𝗨𝘁𝗼𝗽𝗶𝗮𝗻 𝗙𝗮𝗻𝘁𝗮𝘀𝘆 traversed physically and emotionally across the entire Upper Turbine level at 𝗪𝗵𝗶𝘁𝗲 𝗕𝗮𝘆 𝗣𝗼𝘄𝗲𝗿 𝗦𝘁𝗮𝘁𝗶𝗼𝗻. Characterised by its 26-metre-high ceilings, vast windows and exposed industrial innards, the Turbine transformed into a ménage of bodies, pushed to the outer limits of their fabulated dreamscapes.


	

PROJECT : EARTH (2024)

	
	The year is 2024 AD and there is a rental crisis in deep space. Property prices are through the roof and housing stock is at an all time low. Celestial overpopulation leads to civil unrest that erupts throughout the galaxy as there is no space left in space. Until two rogue developers from the future descend on a small blue planet located in the Laniakea Supercluster, in search of new property acquisitions. This development opportunity would be forever known as PROJECT : EARTH!The sound effects will contain computer user interface and mechanical/digital device inspired sounds to enhance the impression of actual sentinel scans/evaluations taking place around the audience at the installation site 
The musical soundtrack will take inspiration from suspenseful down-tempo / 80’s sci-fi spy thriller / dub / video game music (half time, dotted 1/8th note delays, analog pads, metal samples, LFO, LPF, vibrato)

marine_digital_conservation_SA_2023.exe

	marine_digital_conservation_SA_2023.exe, looks toward an inevitable digital future where we may live on a lifeless, artificial planet with only poor digital representations of the extinct species we have destroyed. All over the world climate change caused by human hands under western capitalism has already made an enormous impact on the extinction of biodiversity of flora and fauna. If we continue on this path, which we show no meaningful signs of slowing down, soon there will be nothing left other than us humans and the livestock we like to consume. Millions of years of evolution annihilated for the sake of short-term corporate profits.As a society we have chosen not to reduce our unsustainable consumption practices but to instead poorly digitise these living natural beauties before they are lost forever. Some chilling examples include the last remains of the extinct thylacine (80 seconds of black and white film footage and a handful of pelts) and the island digitisation project of Tuvalu, a Pacific Nation which will soon be underwater due to rising sea levels who are creating a virtual replica in a desperate effort to preserve their cultural heritage.Created in July 2023 as part of Make &#124; Shift - Artist in Residence at The Mill, Adelaide, mentored by Margie Medlin.This project has been assisted by the Australian Government through the Australia Council for the Arts, its arts funding and advisory body.Make&#124;Shift and Cinematic Experiments: Projection Techniques and Technologies are presented with support from City of Adelaide and Illuminate Adelaide.
	

Universal Killer @ The Lightroom Gallery (2023)

	

	
An experimental extended universe of music video ‘killer’ by PlastiQ.
Created in Unreal Engine using photogrammetry, video to motion capture animation, leapmotion hand-tracking, virtual production and all recorded in realtime.A collaboration between CAPITAL WASTE X Plastiq as the first recipient of the Light Adl Artist Fund
exhibited at the Lightroom Gallery at LIGHT ADL in Kaurna Yerta (Adelaide), 
May 2023.
Gabber Modus Operandi (LIVE)
	Live visuals made in Touchdesigner with assets from Rimbawan for GMO (Indonesia) at The Lab, Adelaide, SA. Supported by TARP, Nausea DJs (BBZ X discarded), Australian Border Force X Miles Dunne, The Balinses Society Dancers
With Sound by Rug Club, lighting by Ryan Sahb
Thanks to Lewis Godwin, Rimbawan


	



DANCE MACHINE (2024)
	
‘Dance Machine’ curated by Tom Golin presents a series of works responding to the sweeping dance moves of Christopher Dyke. In collaboration with video artist Liam Somerville, Dyke’s dance moves have been recorded using motion capture technology. From these recordings, the dance has been abstracted into various images of ribboning lines, each depicting four seconds of Dyke’s movement. Fifteen local artists, designers and furniture makers received a specific timestamp of the dance and responded to it in their chosen medium.This exhibition creates a map of the body in motion, a reinterpretation of distilled movements into objects, paintings, and drawings. Each response is an act of translation, of trying to make sense of a moment, channeling the frenetic energy of Dyke’s movement into acts of pinching, painting, carving, bending and throwing. Each artwork is not an attempt to retrace the steps of the dance, rather an opportunity to re-interpret it, to extend it into new forms, and get into the groove of Christopher Dyke’s rhythms.In Household Gallery, each slice of Christopher Dyke’s dance has now found its way back together. A single minute has been extended into hours of labour and reflection, distilled into a range of artworks that move with and against each other; there is no repetition like a chorus line, instead it’s a house party.


	


ESCHATECH VR (ASSEMBLAGE: Artist in Residence at Flinders University)
	

	
ESCHATECH VR is an immersive, climate-fiction VR experience of the last 100 seconds of humanity on planet earth. The video game-esque simulation throws the player into the last chapter of the anthropocene as they awake in a survival bunker with a descending timer strapped to their wrist. When the player ventures outside, they are confronted by gigantic titans, anthropomorphic representations of the rampant capitalism, resource pillaging and irresponsible pollution that is contributing to the extinction of our species through catastrophic environmental annihilation. The player has no objectives, no guide and so is totally free to explore the desolate landscape as they wish during the limited time, much like their everyday life. They are met with many existential metaphors hidden throughout the experience and hopefully return to reality left with a few questions on their own environmental footprint, this is to promote conversation and ideally climate action at a personal level. The experience suggests that humans are hurtling toward total climate destruction and that unless we radically modify our consumption behaviours immediately the extinction of humankind may be sooner than we first projected. Although this may seem a reasonably pessimistic future projection, the VR experience also hints there is a way humans can escape ontological destruction, by transcending the trappings of humankind to evolve into the ‘post-human’. 



INTERGALACTICUS

	
INTERGALACTICUS a film by CAPITAL WASTE
soundtrack // Baghdad Social Club &#38;nbsp; 
titles // studio kiki

thanks to //
Michael Ellingford, Seb Calabretto, Harrison Hallscreened at //
Adelaide Festival Centre, February 2019
a3 Festival, Victoria December 2024
Nerd Hardware //
Videonics MX-1P, Edirol V-8, MEMORY CORRUPTOR, BPMC Premium Cable, AVT-8710 Timebase Corrector, Panasonic S-VHS Recorder AG-MD835, Sony Trinitron XF21M30, Canon 5D mkiii


	





HOME</description>
		
		<excerpt>ECSTATIC UTOPIAN FANSTASY (2025) 	 Power, apathy, protest and resistance are shrouded in new light in 𝗘𝗰𝘀𝘁𝗮𝘁𝗶𝗰 𝗨𝘁𝗼𝗽𝗶𝗮𝗻...</excerpt>

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	<item>
		<title>ABOUT</title>
				
		<link>http://capitalwastepictures.com/ABOUT</link>

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		<pubDate>Tue, 16 May 2023 07:31:56 +0000</pubDate>

		<dc:creator>CAPITAL WASTE PICTURES</dc:creator>
		
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		<guid isPermaLink="false">442858</guid>

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	&#60;img width="800" height="1067" width_o="800" height_o="1067" src_o="https://cortex.persona.co/t/original/i/ee22b2957fae56e2c6154006389f944cbe4e1598adddb5c691e5de65c6904427/LiamHead3D.gif" data-mid="1287379" border="0" /&#62;


	
CAPITAL WASTE (Liam Somerville) is a cinematographer and video 
artist living on the unceded traditional lands of the Kaurna People in 
South Australia. Known for both his glitchy, analog video aesthetic as 
well as DIY virtual production with real-time 3D animation, his 
unorthodox and experimental mash of visual technologies can be consumed 
via cinema, live performance, projections or online experiences. Recent 
projects include cinematography for ‘ I take care of what’s mine’ (2024)
 by Emmaline Zanelli which screened at Samstag Museum throughout the 
Adelaide Film Festival 2024 and at Museum of Contemporary Art Australia 
(MCA). Other works include large-scale projection: PROJECT : EARTH 
premiered in 2024 at Adelaide Fringe Festival’s Night Visions and saw 
over 30,000 participants over the season, winning a Best Film &#38;amp; 
Digital or Interactive AwardCAPITAL WASTE’s live visuals have 
been witnessed at Unsound Festival, Soft Center, Harvest Rock, National 
Gallery of Victoria (NGV), Art Gallery of South Australia (AGSA), 
WOMADelaide, Fringe Festival, Adelaide Botanic Gardens, Illuminate 
Adelaide, The Mill and Denver Museum of Science. Collaborating with 
musical acts such as M.I.A.,Pussy Riot, Gabber Modus Operandi, EYE, 
Plastiq, female wizard, DJ Plead, DEM MOB and kode9.At the moment CAPITAL
 WASTE is obsessed with the virtual 3D world and inputting human 
interactions and dynamic movement into digital space using realtime game
 development engines to create visuals for live performances, VR 
experiences, projection installations and music videos such as DANCE 
MACHINE (2024), ESCHATECH VR (2024), 
marine_digital­_conservation_SA_2023.exe (2023) and Universal Killer 
(2023).As a cinematographer credits include DOP &#38;amp; Animation 
Director for iconic rock-doc 'The Angels: Kickin’ Down The Door' 
(Universal Studios/Beyond Entertainment 2022) and DOP/co-director of 
'Video Nasty: The Making of Ribspreader' (Closer Productions 2020).






PRESS


Download CV 

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</description>
		
		<excerpt>CAPITAL WASTE (Liam Somerville) is a cinematographer and video  artist living on the unceded traditional lands of the Kaurna People in  South Australia....</excerpt>

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		<title>CRASH BANDICOOT</title>
				
		<link>http://capitalwastepictures.com/CRASH-BANDICOOT</link>

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		<pubDate>Fri, 03 Mar 2017 04:14:57 +0000</pubDate>

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	&#60;img width="187" height="84" width_o="187" height_o="84" src_o="https://cortex.persona.co/t/original/i/8548db0101681a9cb291d228a7f9dec95e3f67e8b4479d83006f3da4d069d3e8/CW-sparklemetal.gif" data-mid="179250" border="0" /&#62;
	
	
	
	
	
	
	
	
	
	
	
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		<title>SHOP</title>
				
		<link>http://capitalwastepictures.com/SHOP-1</link>

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		<pubDate>Thu, 05 Nov 2015 17:31:02 +0000</pubDate>

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		<description>
BAWKBUSTER VIDEO
2025 Chicken Calendar
by CAPITAL WASTE X QUARTZ PISTOL

&#60;img width="2000" height="2000" width_o="2000" height_o="2000" src_o="https://cortex.persona.co/t/original/i/af0a92a13e5dfcc2a25f34b2f001ed1a75f43788a5ab2c6a6c10b7fa9e5197bd/BAWKBUSTER-CHOOKS25-squarecoverTHUMB.jpg" data-mid="1391593" border="0" src="//cortex.persona.co/w/2000/q/94/i/af0a92a13e5dfcc2a25f34b2f001ed1a75f43788a5ab2c6a6c10b7fa9e5197bd/BAWKBUSTER-CHOOKS25-squarecoverTHUMB.jpg" style="width: 1022px; height: 1022px;"&#62;
available for $25 AUD + postage

BUY NOW


HOME</description>
		
		<excerpt>BAWKBUSTER VIDEO 2025 Chicken Calendar by CAPITAL WASTE X QUARTZ PISTOL   available for $25 AUD + postage  BUY NOW   HOME</excerpt>

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